Live Like a Regency Heroine: Replace Servants with Overpriced Appliances

Apologies for the lack of posting last week, dear readers. I took a much-needed jaunt to Monterey, where I avoided all sites of interest and locked myself in my hotel to edit my latest project. I almost felt like a Regency heroine, even though I was wearing pajamas most of the time -- as an unmarried lady with no male relative or servant to escort me, I instead confined myself to my rooms and wrote. It would get old v. fast, but for a few days, it was wonderful. But the point of this post is not Monterey -- instead, it's about servants during the Regency. In every Regency romance I've ever read, at least one of the protagonists had servants to attend to their every need (it is a fantasy, after all -- and how many of us fantasize about working twelve hours a day in a factory or toiling as a milkmaid?). Even the smallest middle-class households had at least a stout maid or footman to do the heaviest work; without any mechanized help for laundry, cleaning, cooking, or other chores, keeping up a household was endlessly grueling. But how could a family afford to hire so many servants?

The answer: human labor was incredibly cheap by today's standards. A maid could be hired for £6-8 per year, in addition to room, board, and a few articles of clothing -- roughly equivalent to only £450 ($730) per year today. As an example of what the purchasing power of those pounds was, a lady could buy roughly 12 pairs of silk stockings, or three pairs of walking boots; she could not even think of buying a cashmere shawl, which could approach a price of £60 (nearly £3370/$5480 today -- this was back when all the cashmere actually came from Kashmir and had to make its perilous way to England by sea).

Obviously, to live like a Regency heroine today, I would need to pay someone much more than $730/year to wait on me (I would also have to start wearing silk stockings instead of Uggs, but that is another matter). However, the advantage (or disadvantage, if you are a Luddite) of the Industrial Revolution is that we now have appliances to replace many of the tasks that servants used to do.

The appliance I'm currently salivating over is the Breville One-Touch Teamaker (and no, I'm not a shill for Breville - I found this on my own). It has all the bells and whistles one could ever want in a teamaker: an automatic start timer, a keep-warm function, and settings to control the exact time and temperature of steeping, since different teas require different brewing times and water temperatures. At $249.99, it seems absurdly expensive for a teamaker; after all, my teakettle, which cost approximately 15% of that, has held up for years. But, to look at it another way, the teamaker costs 1/3 of what it would have cost to hire a maid for a year, and she would have brought me hot tea whenever I wanted. With that (questionable) logic, I've almost convinced myself that it's worth the purchase. And the teamaker won't listen in on my conversations and spread my affairs to the entire ton, so that's a definite point in its favor.

Have you splurged on something lately that helps you to live like a Regency heroine? Should I buy the teamaker, or keep up the drudgery of boiling water on the stove?

Regency Eats: The Top Chef Edition

Those of you who follow me on Twitter know that I am obsessed with "Top Chef: All Stars". I love the chefs, I love the challenges, I love Anthony Bourdain...I even love Padma, even though I think she's a thoroughly unlikely food show host. As far as I know, the Regency did not have anything like "Top Chef" (they were rather short on televisions, after all). But, they did have one of the very first celebrity chefs - Marie-Antoine Carême. According to Venetia Murray's book "High Society", Carême's father was a stonemason with fifteen other children; and so, when Carême was eleven, his father took him to Paris, "fed him supper in a tavern and abandoned him in the street." Awfully nice of dear old dad to give him supper first, right?

Despite that rather inauspicious beginning, Carême found his way into an apprenticeship with in a Parisian patisserie. His master allowed him to study at the Bibliotheque Royale, where he saw all sorts of engravings of ancient Greek, Roman and Egyptian architecture - and he translated his lessons into fantastic pastry centerpieces (which I suppose makes him a direct predecessor to Duff Goldman on "Ace of Cakes").

As Carême's reputation grew, he set up his own establishment and cooked for the uppermost echelons of Parisian society, including Napoleon and Talleyrand. After Napoleon's final defeat at Waterloo, Prinny (later George IV) lured Carême away from the continent to cook for him in England.

Prinny's kitchen at the Royal Pavilion in Brighton was the ultimate in modern convenience - so ultimate that he once served dinner in the kitchen itself to show it off to his guests. Prinny and his household went through an astonishing quantity of food, and Carême was in charge of making sure that the food all reached the table at the right time. And he didn't just cook - like many of today's celebrity chefs, he wrote several popular cookbooks, and his techniques influenced generations of chefs.

So in regards to "Top Chef", I've been thinking that the cheftestants have it easy compared to Carême's job. For one dinner at the Royal Pavilion on 15 January 1817, Carême and his team prepared 100 unique dishes, including 36 entrees and 32 desserts. Presumably, the kitchens would have also turned out a sumptuous breakfast, lunch, and any other snacky-snacks that day as well, which makes the production of such a lavish dinner in the age before refrigeration even more incredible.

I'll be watching "Top Chef" tonight with eager anticipation, but I'm slightly less impressed with their feats of culinary genius after reading about everything that Carême turned out. Given that they aren't running the risk of poisoning a future king with spoiled, unrefrigerated food, they should feel positively relaxed about their cooking.

Are you as obsessed with "Top Chef" as I am? Don't you think Carême would look awesome with Marcel's hair? And would you be able to handle a dinner with 100 dishes, either as a cook or a diner?

What I'm Reading: February 2011

I've been reading a lot of non-Regency work recently - this always happens when I'm slogging thickly through my own story, since reading in my own genre can be too distracting. So, my recent reads are heavy on the paranormal elements:

  • FIRST GRAVE ON THE RIGHT by Darynda Jones. This is a smashing debut from one of my fellow 2009 Golden Heart winners - and holding her (gorgeous, hardcover) book in my hands at Borders gave me chills even though I'm on the teensiest edge of the periphery of her supernova success. Okay, that may be melodramatic. Still, her voice is incredible - the best way I can describe it is that the book has the best of the early Janet Evanovich/Stephanie Plum books (kickass, slightly ridiculous heroine, not yet mired in a love triangle) with all the heat and awesome paranormal elements that I'm loving with that side of the genre. I would totally recommend this even if I didn't know Darynda (and recommend it even more because I do).
  • THE GHOST SHRINK, THE ACCIDENTAL GIGOLO AND THE POLTERGEIST ACCOUNTANT by Vivi Andrews. This is starting to look like nepotism, since Vivi is another of my fellow 2009 Golden Heart winners - but I'm way behind on reading the Ruby Slippered Sisterhood's stuff, and Vivi's novella hit the spot exactly when I needed it. While the story has paranormal elements (in fact, precisely the elements listed in the title - shocking!), at its core it's really a sweet, fun romp with a lovely woman who desperately needs to get laid and the unbelievably hot man who's more than willing to help her take care of that problem. It was just as sweet and fun as the heroine herself (and Vivi, for that matter), and a great afternoon read.
  • WARRIOR by Zoe Archer. I'd heard great things about this series, and so far, so good. I got the bundle a couple of months ago and devoured Warrior in one sitting sometime in late January. Having a kick-ass heroine definitely helps, and the hero was one of those uncannily-good warriors I love so much (which explains my deep, abiding love for Aragorn from Lord of the Rings).

Up next, Kresley Cole's DREAMS OF A DARK WARRIOR releases this week, and it's already on the way to my doorstep. I also have a stack of novels as tall as me waiting for when I finish the final draft of my current project - which can't come soon enough, or else my TBR pile is going to bury me.

What are you reading? Are there any recent or upcoming books that I should add to the pile?

There, but for the grace of God...

One of the authors I follow on Twitter is Courtney Milan, who has released a series of excellent historicals over the past year and has another book, UNVEILED, coming out in January. If the cover alone wasn't enough to seduce me, I'm quite intrigued by the premise - the hero has just found information to get the heroine (and her brothers) declared illegitimate, which means that he will inherit their father's dukedom while the duke's kids will be cast out of society. But, as these things happen, the hero and heroine meet and fall in love despite all that. Sounds lovely, right? So I was quite saddened for Ms. Milan when my Twitter feed gave me all the details of a review for her book that went horribly awry.

Basically, Publishers Weekly's review (scroll to the middle of the page) of UNVEILED proclaimed "the love story...genuinely satisfying and Margaret's dilemma movingly portrayed", which is a v. good thing. But, the reviewer also said "the conflict [is] dependent on the unlikely scenario of Parliament legitimizing a bigamist's bastards, fatally marring an otherwise promising novel."

Daggers, right? That's the kind of review that kills a little bit of a writer's soul, or at least I imagine it is - particularly writers who really, truly care about and strive for historical accuracy. And Ms. Milan does care about accuracy; while she didn't respond to the review directly, she did a very calm, thorough post about the historical research that went into her plot, and there really was a case in Britain in which a family under similar circumstances was legitimized by an Act of Parliament. As a result of the tempest in the Twitter teakettle over this, PW did revise the review slightly to say "unlikely scenario" (before, I believe it said something more along the lines of "impossible", but don't quote me), but the review still stings.

Now, I don't know Ms. Milan (although I have won two different books from her on Twitter, so I suppose I'm biased towards thinking she's a v. nice person), I don't know the reviewer, and I don't know the deep intricacies of English inheritance law. But the hard thing about writing historical romances is that there is a divide between "history" (i.e. what really, factually happened) and "romance history" (i.e. what is commonly accepted as fact in the world that Smart Bitches/Trashy Books would call "Romancelandia"). As a minor example, in Romancelandia, the waltz is danced in nearly every London-based Regency romance -- but in the real world, everything I've read indicates that it wasn't danced until at least 1813, and didn't get a broader blessing until 1816 or later.

So the readership and the reviewers have what they consider a very clear sense of what "Regency" (or, in Ms. Milan's case, Victorian) is, and writers who stray away from Romancelandia into the "real world" are treading a very narrow line. And I must admit that before this brouhaha, I would have also said that the plot sounded unlikely - I'm part of the Beau Monde online special-interest chapter of RWA geared toward the Regency, and the fact that bastards cannot and will never inherit has been rehashed in that group many times. But, the legal case that Ms. Milan found has never come up there either, and I believe her now that I've seen it.

But as an author, how do you handle these questions of historical accuracy? As a reader, can you trust that the author has done their research, or do you throw the book against the wall when it violates the precepts of Romancelandia? As editors and agents continue to look for new and fresh stories, writers must go farther afield in search of inspiration - and what they bring back, while based in fact, may not meet the sniff test for those who believe that Romancelandia's Regency period and the real Regency are the same thing.

Ms. Milan said that perhaps an author's note explaining her research might have helped; perhaps that really is the only way to win over the disbelieving reviewer. It's certainly something I will consider if I publish a story that doesn't match readers' understanding of the period - after all, if I felt major sympathy pangs for the author after reading the review, I can't imagine how it would feel to be the direct recipient of that kind of unfounded criticism.

But what do you think? Are most readers more forgiving than the reviewer was? Or is an author's note the only way to deal with this?

What I'm Reading: December 2010

My fellow readers, I have a dark confession. I haven't read anything new in at least two weeks. If this continues, my writer card may be revoked.

But, there are a dozens of books waiting for me to read, and I hope to make some serious progress over the holidays. Given that I also intend to finish writing my book, write a hundred Christmas cards, switch blog hosting companies, start researching a shiny secret idea I have for a medieval-flavored young adult book, and spend time with the family I've shamefully neglected these past few months, I may be setting too high a bar.

Still, I've got a reading list - does it match yours? What hot new books am I missing?

  • Zoe Archer's BLADES OF THE ROSE series. I got WARRIOR, SCOUNDREL, REBEL, and STRANGER as part of a discounted Amazon bundle for my Kindle, and I can't wait to dive in - I've heard such good things.
  • Vivi Andrews's THE GHOST SHRINK, THE ACCIDENTAL GIGOLO, AND THE POLTERGEIST ACCOUNTANT. Disclaimer: I'm friends with Vivi, since she won a Golden Heart the same year that I did, but this book got fantastic reviews.
  • Courtney Milan's TRIAL BY DESIRE. I loved her debut, PROOF BY SEDUCTION, so I'm hoping for great things in this one.
  • Sarah MacLean's TEN WAYS TO BE ADORED WHEN LANDING A LORD. Extremely long titles aside, her first book in this series (NINE RULES TO BREAK WHEN ROMANCING A RAKE) was one of the best debuts I've ever read. She signed a copy for me at RWA convention in Orlando and was perfectly lovely in person, so I'm excited to read the sequel.

I'm sure there are other books on the list, but this list will change depending on what books I may get for Christmas. What's on your must-read list for December?

And now, a word on the day job...

So I have exciting news - I've decided to focus some time on my writing career. The alternative phrasing is that I quit my day job! I know, I'm crazy, and this is totally not recommended on any website I've ever seen that gives advice to writers. But, I feel strongly that giving myself a chance to focus on my writing is going to yield huge rewards, even if I don't become self-sufficient through writing in time to avoid getting another job in the future. And, I planned ahead for this day for quite awhile, so it will be a couple of years before I starve to death.

If you're curious about how I made this decision, I'm blogging today at the Ruby Slippered Sisterhood (http://goo.gl/Sf6M). Stop by and share your thoughts! I also expect to get a lot more vocal here in the coming weeks - stay tuned.

RWA 2010 Day 2: Eloisa, Agent, Etc.

I volunteered to report on today's happenings at the Romance Writers of America convention for the Ruby Slippered Sisterhood (my fellow 2009 Golden Heart finalists), so I'm not going to repeat myself; you can read it here. I will say that the post is slightly misleading because I didn't attend most of the events that I reported on. I know, I'm terrible. But, I had lunch with Eloisa James (squee!) and was too nervous beforehand to eat. Then, I had a meeting with my agent, and was so hungry after that that I returned to my room, ordered room service, and talked to my parents before going out for dinner with some fellow writers.

All said, though, it was another great day; I'm really questioning where I'm going with Madeleine and Ferguson (particularly Ferguson), but at the same time I'm really excited to see where I end up with them. Now, though, I must go to sleep. I'm pitching to an editor tomorrow morning, so I can't oversleep. And then I get to get all dolled up for the awards ceremony tomorrow night -- I can't wait to see who wins the RITAs and Golden Hearts!

RWA 2010 Day 1: Nora, Nora, Nora

The conference officially kicked off today with the Annual General Meeting of RWA, which I skipped in a desperate attempt to catch up on sleep. Unfortunately, several hundred/thousand other people had the same idea, and they apparently ended the meeting after only fifteen minutes because they didn't have quorum to conduct official business. I feel like a slacker/user for not doing my civic duty -- but then again, I'm pleased that I slept eight hours last night, so clearly my guilt doesn't run very deep.

I did rouse myself in time for lunch (shocking achievement, I know), which consisted of a strange green (pesto?) encrusted chicken and a fantastic keynote speech from Nora Roberts. Nora is the acknowledged Queen of Romance in RWA land, since she has written 150+ books and done so much to advance the cause of romance writing in America. She has a smoker's voice and a no-nonsense approach to life; she doesn't hesitate to tell people that they're being whiners, and the main message of her speech is that writing has always been hard, that publishing is no easier or harder than it ever was, and that you can either shut up and write, or waste your energy wishing that things were different. Her speech made me want to start smoking a pack a day while writing nonstop, and while I think I'll forsake the cigarettes (I would love to have that voice, but I don't even know if she smokes, and I'm too much of a clotheshorse to accept the smelly consequences), I left feeling very inspired.

I spent the rest of the afternoon attending workshops; first off was the PRO retreat, for authors who have finished a manuscript but are not yet published, where there were some discussions of craft and agent hunting. I skipped the end to attend Ethan Ellenberg's talk on what happens after publication, and he discussed a lot of the details about print runs, returns, marketing, etc. I'm in this strange middle area where a lot of the workshops don't feel like they apply to me -- I don't need the agent or query workshops since I already have an agent, but I'm not published and so am not ready for some of the post-publication workshops.

And so, my focus really needs to be on writing my book, not distracting myself with news of the industry, thoughts about marketing, or endless trawling on Wikipedia. I'm spending some quality time tonight and tomorrow morning working on my next manuscript, since Madeleine and Ferguson are languishing in the middle of their first sexy times and are likely as desperate to climax and move on to the next part as I am (that implies that I'm desperate to climax too, but you get the idea). I still had a good time tonight, as I attended the Golden Network reception, where we celebrated the new Golden Heart finalists and the Golden Heart finalists from past years who have sold their work. But I'm excited to spend some time writing; I haven't written since Sunday, which is too long.

Check back tomorrow for my recap of Day 2: if nothing else, I'm having lunch with Eloisa James, which should be noteworthy ;)

RWA 2010 Day 0: Settling In, Catching Up, and Trying Not to Be a Fool

The 2010 RWA conference doesn't kick into high gear until tomorrow, but I overscheduled myself as usual -- rather than giving my poor California body clock a chance to catch up, I forced myself out of bed at 7:30am (4:30am at home, alas), into a dress AND makeup AND defrizzed hair (miracle of miracles), and downstairs in time to attend the Beau Monde retreat. The Beau Monde is a special-interest online chapter devoted to all things Regency; I joined a couple of months ago, and am consistently impressed by the quality and quantity of historical knowledge demonstrated on the loop.

So, I was quite looking forward to the retreat, and it didn't disappoint. The first panel I attended was about a Regency romance seminar taught at Yale last year, which thrilled me to no end because I'm glad to see romance start to get a teensy tinsy modicum of respect in academia. The second panel likely would have shredded that teensy tinsy modicum of respect -- it was all about courtesans, whores, and the men who loved them (or, at least, paid them a farthing to toss their skirts up against the nearest available alley wall).

After the Beau Monde lunch (with Gaelen Foley, acclaimed Regency writer, as the keynote speaker), I skipped over to the Golden Network retreat. The Golden Network is another special-interest online chapter, but this one is only open to current and former Golden Heart finalists. They had similar content as last year, but it was still eyeopening; in the most brutal display of sadomasochistic behavior I've seen since "Secretary" (or the Folsom Street Fair, perhaps), authors anonymously submitted first pages of their works, and then the moderator read those pages while a panel of editors and agents said 'stop' at the point where they would stop reading. Only one entry made it all the way to the end of the first page without anyone saying stop; several of them lost every single agent/editor in the first paragraph. The bar for publication is so incredibly high that it can be scary and disheartening to hear this; but as I did not submit a page, I just sat back, drank my coffee (while wishing desperately that it was Diet Coke, my one true love) and enjoyed the show.

After the Golden Network retreat was over, I hung out for a couple of hours with Grace and Tina, who are both part of the San Francisco chapter. Grace is up for a Golden Heart in Regency this year (which I am presenting at the awards ceremony on Saturday, since I won last year!), and Tina is doing some fascinating stuff with self-publishing on Amazon -- and more importantly, we seem to click well, and Grace and I share a love for Catherine Coulter and some of the other "ew, gross, 80s" romance novels that gave romance a bad name, what with all the abductions, rapes, bodice rippings, forced marriages, etc.

Tina, Grace and I then attended the Literacy Signing, at which published authors sell and sign their books, with the proceeds going to benefit literacy programs. I bought way too many books -- on the first pass, I got books from Eloisa James, Courtney Milan, Elizabeth Hoyt, and Carolyn Jewel from the San Francisco chapter. I may have been utterly awkward with Eloisa James; I'm having lunch with her on Friday, which I won in an auction, but she now probably thinks that I'm a weird stalker fangirl because I a) knew that she had been in Paris, since I follow her on Twitter, and b) bought a paperback of the book she *just* released after saying that I already read it on the plane yesterday (but in my defense, I read it on my Kindle, and it was good enough that I want a paperback as a keeper). So, we'll see if she shows up to lunch, and whether there are any hotel staff standing by in case I turn out to be rabid and crazy.

I parted ways with Grace and Tina, came back to my room with the intention of taking a nap before dinner -- then remembered that I had forgotten a couple of people whom I meant to get signatures from, because the room was huge and I failed to plan ahead. So I dashed downstairs again and got books from Tessa Dare (adore - she actually ran out of books, but signed a nameplate for me), Sabrina Darby (have been meaning to read her book for ages, and she was at the Beau Monde retreat this morning), Sarah MacLean (loved her "Nine Rules to Break When Romancing a Rake"), and Addison Fox (one of my Ruby Slipper sisters, who writes paranormal). I failed to track down the other Ruby Slippered Sister who was signing, but at that point, I was loaded down and late for dinner, so I ran upstairs...

...and then as it turns out, dinner ended up being much, much later than anticipated. We left the hotel on time, got to the restaurant fifteen minutes early for our 8:15pm reservation -- and then weren't seated until almost 9pm. The food was outstanding (we ate at Kouzzina, owned by Cat Cora, whom I adore from 'Iron Chef America'), and I had a Greek lasagna that smelled strongly of cinnamon and tasted divine. I also had two glasses of wine, which made me quite chatty, particularly on an almost empty stomach. But, my table had a v. good time, even if we didn't eat until 10pm.

And now, I really, really must go to bed -- I'm not going to be foolish enough to get up at seven tomorrow morning, but I should get out of bed sometime. More to come tomorrow!

On the Value of Non-Romance Writing Classes

I'm blogging today over at the Ruby Slippered Sisterhood (the wonderful group of ladies who were fellow Golden Heart finalists in 2009) about my experience with non-romance-related writing classes and one of my favorite techniques for exploring and developing your voice. Please stop by and join the conversation! Beyond that, I have very little of interest to report -- I'm still slogging through Madeleine and Ferguson's story (ONE NIGHT TO SCANDAL), while my agent slogs through the submission process for ONE NIGHT TO SEDUCTION. As soon as I have any news about either of them, you'll hear it here!